Adobe Updates Lightroom CC 2015.5, ACR 9.5, Photoshop CC

Posted March 18th, 2016 by   |  Photography, Software, Uncategorized  |  Permalink

New Updates for Lightroom CC, Camera RAW, Photoshop CC

Adobe just released an update to their imaging software including Lightroom CC 2015.5/6.5, Camera RAW 9.5, and Photoshop CC. There are a quite a few software bug fixes in tehse updates including some significant fixes for tethering, especially with Canon cameras like the 5DM3, 5Ds, 1DsM3.

The bigger news however is Adobe now has support for a bunch of new cameras like the Nikon D5, Nikon D500, Canon EOS-1D X Mark II, Canon Rebel T6, Canon EOS 80D and the Sony Alpha a6300. This marks the first time I can remember that Adobe and Nikon/Canon/Sony worked together to allow shooters of these new cameras the capability to process RAW photos before the cameras are released to the public. Kudos Adobe.

ACR gray

The new interface for Adobe Camera RAW is gray vs. the older white interface.

On the Adobe Camera Raw side, Adobe changed the default color schema in ACR to gray. This better matches other software interfaces and is a welcome change.

Updating Software

To update your software, use the Creative Cloud application/utility from Adobe as shown here.

CreativeCloud-update

Alternatively, you can download the files directly here:

Camera Raw 9.5 direct download for Windows and Mac

DNG Converter 9.5 download for Windows and Mac

 

Lightroom CC Installations

Please select Help > Updates to use the update mechanism in the Creative Cloud app.

Direct download links:  Win | Mac

 

 

Links for more information:

Adobe’s Lightroom Journal http://blogs.adobe.com/lightroomjournal/

Lightroom CC 2015.5 update http://blogs.adobe.com/lightroomjournal/2016/03/lr-cc-2015-5-now-available.html

Adobe Camera RAW 9.5 update http://blogs.adobe.com/lightroomjournal/2016/03/camera-raw-9-5-now-available.html

 

 

Bugs Fixed in Lightroom CC 2015.5 / 6.5

 

New Camera Support in Lightroom CC 2015.5 / 6.5

  • Canon EOS-1D X Mark II
  • Canon EOS 80D
  • Canon EOS 1300D (Rebel T6, Kiss X80)
  • Nikon D5
  • Nikon D500
  • Olympus PEN-F
  • Olympus SH-3
  • Panasonic DMC-CM10
  • Panasonic DMC-GF8
  • Panasonic DMC-ZS100 (DMC-ZS110, DMC-TZ100, DMC-TZ101, DMC-TZ110, DMC-TX1)
  • Samsung NX3300
  • Sony Alpha a6300 (ILCE-6300)
  • Yuneec CGO4

 

 

 

Bugs Fixed in Camera Raw 9.5

  • Fix crash/hang in Camera Raw and DNG Converter on some Mac systems when saving multiple images.
  • Fix corruption issue that would prevent DNG images originally created by Parrot Bebop Drone devices from being opened after metadata updates.
  • Pressing the Option/Alt key while click-dragging on a perimeter handle of a Radial Filter will adjust only that side of the filter. This change in behavior was made to match Lightroom’s behavior. Previously, Option/Alt-clicking on a Radial Filter in Camera Raw would delete that filter.
  • Camera Raw Filter now displays the histogram and RGB color readouts using the assigned color space of the corresponding Photoshop document. Previously, Camera Raw Filter always displayed its histogram and RGB color readouts using the ProPhoto color space.
  • Improve quality of Boundary Warp for some panoramas.
  • Fix bug where EXIF metadata for SIGMA 50mm f/1.4 ART lens on Canon was incorrectly identified as Zeiss Milvus 50mm f/1.4.

 

New Camera Support in Camera Raw 9.5

  • Canon EOS-1D X Mark II
  • Canon EOS 80D
  • Canon EOS 1300D (Rebel T6, Kiss X80)
  • Nikon D5
  • Nikon D500
  • Olympus PEN-F
  • Olympus SH-3
  • Panasonic DMC-CM10
  • Panasonic DMC-GF8
  • Panasonic DMC-ZS100 (DMC-ZS110, DMC-TZ100, DMC-TZ101, DMC-TZ110, DMC-TX1)
  • Samsung NX3300
  • Sony Alpha a6300 (ILCE-6300)
  • Yuneec CGO4

 

New Lens Profile Support in Lightroom CC 2015.5 / 6.5 & Camera RAW

Mount Name
Android Huawei Nexus 6P
Android LG Nexus 5X
Canon EF SIGMA 50-100mm F1.8 DC HSM A016
Canon EF-M Bower 16mm f2 ED AS UMC CS
Canon EF-M Rokinon 16mm f2 ED AS UMC CS
Canon EF-M Rokinon 21mm f/1.4 ED AS UMC CS
Canon EF-M Rokinon 300mm f/6.3 ED UMC CS
Canon EF-M Samyang 16mm f2 ED AS UMC CS
Canon EF-M Samyang 21mm f/1.4 ED AS UMC CS
Canon EF-M Samyang 24mm f1.4 ED AS IF UMC
Canon EF-M Samyang 85mm f1.4 AS IF UMC
Canon EF-M Samyang 300mm f/6.3 ED UMC CS
Fujifilm Bower 16mm f2 ED AS UMC CS
Fujifilm Rokinon 16mm f2 ED AS UMC CS
Fujifilm Rokinon 21mm f/1.4 ED AS UMC CS
Fujifilm Rokinon 85mm f1.4 AS IF UMC
Fujifilm Rokinon 300mm f/6.3 ED UMC CS
Fujifilm Samyang 16mm f2 ED AS UMC CS
Fujifilm Samyang 21mm f/1.4 ED AS UMC CS
Fujifilm Samyang 24mm f1.4 ED AS IF UMC
Fujifilm Samyang 85mm f1.4 AS IF UMC
Fujifilm Samyang 300mm f/6.3 ED UMC CS
Nikon F Nikon AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR
Nikon F Nikon AF-P DX NIKKOR 18-55mm f/3.5-5.6G
Nikon F Nikon AF-S NIKKOR 800mm f/5.6E FL ED VR
Nikon F Nikon AF-S Zoom-NIKKOR 28-70mm f/2.8D IF-ED
Olympus Bower 16mm f2 ED AS UMC CS
Olympus Bower 24mm f1.4 ED AS IF UMC
Olympus Rokinon 16mm f2 ED AS UMC CS
Olympus Rokinon 21mm f/1.4 ED AS UMC CS
Olympus Rokinon 24mm f1.4 ED AS IF UMC
Olympus Rokinon 85mm f1.4 AS IF UMC
Olympus Rokinon 300mm f/6.3 ED UMC CS
Olympus Samyang 16mm f2 ED AS UMC CS
Olympus Samyang 21mm f/1.4 ED AS UMC CS
Olympus Samyang 24mm f1.4 ED AS IF UMC
Olympus Samyang 85mm f1.4 AS IF UMC
Olympus Samyang 300mm f/6.3 ED UMC CS
Olympus SIGMA 30mm F1.4 DC DN C016
Panasonic Bower 16mm f2 ED AS UMC CS
Panasonic Rokinon 16mm f2 ED AS UMC CS
Panasonic Rokinon 21mm f/1.4 ED AS UMC CS
Panasonic Rokinon 24mm f1.4 ED AS IF UMC
Panasonic Rokinon 85mm f1.4 AS IF UMC
Panasonic Rokinon 300mm f/6.3 ED UMC CS
Panasonic Samyang 16mm f2 ED AS UMC CS
Panasonic Samyang 21mm f/1.4 ED AS UMC CS
Panasonic Samyang 24mm f1.4 ED AS IF UMC
Panasonic Samyang 24mm f1.4 ED AS IF UMC
Panasonic Samyang 300mm f/6.3 ED UMC CS
Pentax K HD PENTAX-DA 55-300mm F4-5.8 ED WR
Samsung NX Bower 16mm f2 ED AS UMC CS
Samsung NX Bower 24mm f1.4 ED AS IF UMC
Samsung NX Rokinon 16mm f2 ED AS UMC CS
Samsung NX Rokinon 24mm f1.4 ED AS IF UMC
Samsung NX Rokinon 85mm f1.4 AS IF UMC
Samsung NX Samyang 16mm f2 ED AS UMC CS
Samsung NX Samyang 24mm f1.4 ED AS IF UMC
Samsung NX Samyang 85mm f1.4 AS IF UMC
SIGMA SIGMA 50-100mm F1.8 DC HSM A016
Sony E Bower 16mm f2 ED AS UMC CS
Sony E Rokinon 16mm f2 ED AS UMC CS
Sony E Rokinon 21mm f/1.4 ED AS UMC CS
Sony E Rokinon 300mm f/6.3 ED UMC CS
Sony E Samyang 16mm f2 ED AS UMC CS
Sony E Samyang 21mm f/1.4 ED AS UMC CS
Sony E Samyang 300mm f/6.3 ED UMC CS
Sony E SIGMA 30mm F1.4 DC DN C016
Sony FE Rokinon 24mm f1.4 ED AS IF UMC
Sony FE Rokinon 85mm f1.4 AS IF UMC
Sony FE Samyang 24mm f1.4 ED AS IF UMC
Sony FE Samyang 85mm f1.4 AS IF UMC
Sony FE Sony FE 24-70mm f/2.8 GM
Sony FE Sony FE 85mm f/1.4 GM

 

 





Lightroom CC Update – Boundary Warp and Nikon Tethering

Posted January 27th, 2016 by   |  Photography, Software  |  Permalink
Boundary Warp

Here’s the new Lightroom CC Boundary Warp control window. A great new addition for Lightroom and Adobe Camera RAW.

Adobe released a new version of Lightroom today for the Creative Cloud and stand-alone versions. Lightroom CC 2015.4 and Lightroom 6.4 address a number of bugs while also updating the software for new cameras and lenses.

As far as I’m concerned though, the two most important things about this release are the Boundary Warp feature in Lightroom CC and the ability to tether Nikon cameras for photographers using the newest Mac OSX 10.11 (El Capitan).

Here’s the link to the press release at the Adobe website: Lightroom CC 2015.4 Press Release

1. Panorama Boundary Warp

Boundary warp is a brand-new feature available in the Lightroom CC version aimed at improving panorama merging. It is designed to warp the corners and edges of the panorama so you don’t lose those areas of the image.

This slider works exceptionally well when merging photos taken with extreme wide-angle lenses. You don’t typically get much distortion with focal lengths of 50mm or longer, but you get quite a bit with 14mm and 20mm lenses. Boundary Warp helps solve this problem in a very easy-to-use interface.

Check out this video I created to help further explain the tool.

YouTube Link: Boundary Warp (https://youtu.be/2yt-A6OoZuc)

 

2. Tethering with OS X 10.11 (El Capitan).

Another great fix with this release of Lightroom CC/6 is the ability to tether Nikon cameras in Mac OSX 10.11 (El Capitan). Finally!

Unfortunately, operating system updates can be very troublesome for us photographers. We heavily rely on software for our businesses, so any hiccup in the operation of our computers is a major deal. The most recent update to the Macintosh operating system, El Capitan, broke the ability of Lightroom CC/6 to tether with Nikon cameras.

For me, that was a deal breaker to upgrading to El Capitan since I use Lightroom tethering for my portrait and commercial work. Tethering really helps when shooting with clients on set as it allows them to immediately collaborate on images.

The newest version of Lightroom CC/6 now fixes the tethering issue for us Nikon shooters and represents my last obstacle to upgrading my Mac to El Capitan.

List of Changes/Additions in Lightroom CC/6

Fixed Bugs

– Auto Sync of some settings failed when using smart previews

– Lightroom would ignore model-specific custom default settings for some cameras, including some Leica and Sony models.

– Crop resets to image bounds when adjusting rotation via slider

– In Lights Out mode, an image would “disappear” if a customer uses the Undo functionality

– SIGMA 50mm f1.4 ART lens was incorrectly identified as Zeiss Milvus 50mm f1.4

– Soft Proofing RGB readout values differed for same file between 5.7.1 and 6.x

– Import from iPhoto would result in all photos receiving a “pick” flag

– Comments from Lightroom web come in to Lightroom on the desktop as already “read.”

– Lightroom would not display the correct EXIF metadata for some video files generated by Canon, Fuji and Panasonic cameras

– Vertical panoramas created using Merge could appear with the wrong orientation

– The video cache did not respect the maximum size specified in the preferences

– Customers experienced issues importing video files in some scenarios

– Tethering Nikon cameras on Mac OS X 10.11(El Capitan) did not work properly

New Camera Support in Lightroom CC 2015.4 / 6.4

– Fujifilm X70

– Fujifilm X-E2S

– Fujifilm X-Pro2

– Leica M (Typ 262)

– Leica X-U (Typ 113)

– Panasonic DMC-ZS60 (DMC-TZ80, DMC-TZ81, DMC-TZ85)

– Phase One IQ150

– Sony ILCA-68 (A68)

Additional Updates in Lightroom CC 2015.4 / 6.4

– Nikon 1 J4 Camera Matching Profile added

– The panorama merging process should complete roughly twice as fast as Lightroom 6.3

– Improved quality when applying Auto Straighten and Upright “Level” mode

– A preference was added to the Mac to prevent accidental “speed swiping”

– Metadata is added to merged panoramas to support Photoshop’s Adaptive Wide Angle filter

– Customers can now set the location of where photos are stored when downloaded from Lightroom mobile or Lightroom web in the preference panel or – contextually in the folder panel

– Thumbnails update much quicker when copying and pasting settings in the grid view

– Images load faster in the Library module when you are zoomed in and navigating images

– Tethered support added for the Nikon D5500 and Nikon D7200





How Much Detail from a Severely Underexposed D800 Photo?

Posted March 24th, 2012 by   |  Photography, Software  |  Permalink

More Nikon D800 fun. Just to see how far I could take a Nikon D800 image, I processed this black and white from a single dramatically underexposed shot. The processed photo is above and the unprocessed, underexposed shot below.

Nikon D800, 14-24mm f2.8. Processed in Adobe Camera Raw, then Nik Color Efex Pro 4 using Detail Extractor. Then, converted to Black and White in Nik Silver Efex Pro 2.

Nikon D800, Nikon 14-24mm f2.8. Upper photo processed in Photoshop, Nik Color Efex Pro, and Nik Silver Efex Pro. Bottom image is the original underexposed shot.

Nikon D800, Nikon 14-24mm f2.8. Upper photo processed in Photoshop, Nik Color Efex Pro, and Nik Silver Efex Pro. Bottom image is the original underexposed shot.

Location: Purdy Bridge, Purdy, Washington, USA.





Quick and Dirty Single Image HDR in Photoshop CS5

Posted January 12th, 2011 by   |  Photography, Software  |  Permalink

Here’s a super quick and easy way to get a single image HDR in Photoshop CS5.

Finished photo using the single image HDR method below. Pacific Coast, Olympic Peninsula, WA. Nikon D700, 14-24mm f2.8.

Finished photo using the single image HDR method below. Pacific Coast, Olympic Peninsula, WA. Nikon D700, 14-24mm f2.8.

1. Open your image in Camera Raw (ACR).
2. Set Recovery, Fill Light, Blacks, and Clarity to 100.
3. Adjust exposure and brightness to taste.
4. Readjust any settings that make the image seem over the top.
5. Click Open Image when finished.

Same image as above, but shown as shot in the camera.

Same image as above, but shown as shot in the camera.

The method is super simple and very quick. It works on some images, but doesn’t work on others. You’ll have to experiment to see what works best for your picture.

Here's the ACR (Adobe Camera Raw) panel. You'll be adjusting the sliders on the right side of the window.

Here's the ACR (Adobe Camera Raw) panel. You'll be adjusting the sliders on the right side of the window.

Here's a closeup of the adjustment sliders for the image above.

Here's a closeup of the adjustment sliders for the image above.





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