Profoto B2 AirTTL Off-Camera Flash Review

Posted June 17th, 2015 by   |  Flash Photography, Photography, Uncategorized  |  Permalink
Profoto B2 Air TTL

The Profoto B2 250 AirTTL Location Kit

Profoto asked me to review the new Profoto B2 off-camera flash system so I put the B2 AirTTL system through its paces shooting some outdoor portraits and photographing kids playing on a trampoline. For this test, I used the Profoto B2 250 AirTTL Location kit, Profoto OCF light shapers, a Nikon D750, the Nikon AF-S 14-24mm f/2.8, the Nikon 24-70mm f/2.8, and the Nikon AF-S 85mm f/1.8.

Here’s a video I put together for the Profoto B2 AirTTL OCF system.

I currently own a set of Profoto D1 Air studio strobes and think that Profoto makes some of the best studio lights on the market today. The B2 flashes take the Profoto technology and shrink it down into a small, battery-powered location kit that you can take just about anywhere. Like everything else in the Profoto lineup, the build quality of the B2 system is top-notch. Also, the quality of light is excellent when used with the OCF (off camera flash) light shapers.

Profoto trampoline

I used the Profoto B2 250 AirTTL heads to photograph these kids jumping on the trampoline. The flashes worked great with the outdoor location and packed enough punch to work with the bright sun.

The OCF system uses a battery pack to power the heads. This battery is small in comparison to other location power-pack systems and weighs just a few pounds. It is small enough that you can easily wear the pack with a shoulder strap while shooting events and outdoor action sports.

The heads are 250 watt-seconds each, so they pack about four times more power than a Nikon or Canon speedlight. They also recycle much faster than dedicated flashes, making it easier to photograph action with the B2 system.

Profoto trampoline BTS

Here you can see the two B2 heads in the lower right and upper left. I used the extension cable to move the background hair light about 15 feet away from the battery pack.

The B2 battery pack is designed to hang from a light stand or over your shoulder with a longer strap. Power runs from the battery pack through cables to the B2 heads. These heads are small, lightweight and compact and mount to just about any light stand. The heads work with any of the Profoto OCF light shapers. They also work with the traditional speedrings from other Profoto systems like the D1, D2, etc.

Profoto sells a wide variety of OCF accessories including softboxes, octas, umbrellas, snoots, grids and extension cables so you can move the heads farther distances away from the battery pack. The OCF light shapers are lighter weight than Profoto’s studio light shapers. The OCF material is made out of a reflective silver-coated rip-stop nylon and is constructed very well. It is all designed to go out on the road and perform in any environment.

The AirTTL system allows full remote control of two B2 heads. It mounts on the camera’s hot shoe just like a dedicated flash. The difference is that it communicates with the B2 battery pack while allowing for full TTL control or full manual control of the flash heads. You can control the flash power from the battery pack itself or from the remote control.

B2 on flash bracket

The B2 OCF heads are small enough and light enough to place on a flash bracket.

The B2 system has built-in modeling lights. These are useful for studio work indoors, but the modeling lights aren’t quite bright enough to use outdoors. The modeling lights could also be used for video lighting in a pinch.

The B2 flashes are powerful enough to use outside on a sunny day. I used them with bright sun in the background and was able to shoot at f/8 and ISO 400 with a rapid recycle rate. Not bad for a small flash system.

Jumping on trampoline

For this photo I used two B2 heads; one with a softbox and the other as a direct flash.

Since the B2s are really lightweight, they can be mounted on a flash bracket attached to your camera. You’ll still use the supplied B2 battery with cable, but instead of mounting a typical Nikon dedicated flash like a SB-910, you’ll mount the B2 head to the bracket. Additionally, you can use any of the OCF light shapers while the B2 head is mounted on the flash bracket. The advantage of using the B2 this way is that you can shoot events while getting lots of power, fast recycle rates and lots of shots before the batteries run out.

The entire B2 location kit fits in a small bag about the size of a classic Domke F-2 shoulder camera bag. This means that you can take the B2 OCF system on location just about anywhere in the world and produce high-end results.

B2 carry bag

The location kit fits in a small shoulder bag making it easy to carry around the world.

My hat is off to Profoto for innovating yet another killer product. The B2 AirTTL Off-camera Flash system definitely gets two thumbs up from me.

Buy your own B2 AirTTL OCF system here:

B&H Photo Video: Profoto B2 AirTTL Location Kit

Adorama: Profoto B2 AirTTL Location Kit

Ice-cream portrait

Fun summertime ice-cream portraits with the Profoto B2 Location Kit.

Ladder portrait

For this portrait, I shot in TTL mode. The Nikon D750 camera and AirTTL controller nailed the exposure!

 





Setting Up a Portable Location Studio

Posted March 16th, 2015 by   |  Flash Photography, Photography  |  Permalink

This week I’m shooting about 250 portraits for Harbor Covenant Church. I’ll share more of the results of the photo shoot in a future blog post, but in the meantime, I wanted to show how I set up the studio with this time-lapse video. My goal for the photo shoot is to produce a bright white background for each of the portraits. To do this, I used a white muslin backdrop and lit it with four slave flashes in umbrellas. These background flashes are set to produce about 1.0 to 1.5 stops more light than the Profoto D1 monolights I’m using for the people in the foreground.

 

I’m triggering everything optically, which is another way to say that all the flashes are set to fire when they see a flash pulse from the main camera. For the Profoto D1 monolights, I’ve set them to trigger using the IR mode. For the Nikon flashes, they are all set to trigger in SU-4 mode. On my Nikon D800 camera, I’m triggering everything with a Nikon SB-700 flash set to manual output so that when it fires, everything else fires. All slave flashes are set for manual output and I metered everything using my trusty old Sekonic L-358 (no longer sold).

Location studio portraits

Some of the early shots from the location studio. Nice white backgrounds and lots of happy people!

Here’s all the gear I used to create the location studio.

Profoto D1 Monolights

Tether Tools Aero Tether Table for 15″ MacBook Pro

Gitzo GT3542L Mountaineer Carbon Fiber Tripod

Manfrotto and Creative Light light stands

Creative Light Back Light Stand

Nikon SB-910

Nikon SB-900

Nikon SB-700

Impact Background Studio Stand

White muslin backdrop 10’x24′

Apple MacBook Pro 15.4″ Retina

Adobe Lightroom 5

Location studio

An overview of the on-location studio I set up at Harbor Covenant Church using six flashes to produce a white background.





Viewing Tethered Shoot on iPad with Capture Pilot

Posted March 25th, 2011 by   |  Flash Photography, Photography, Software  |  Permalink

Just wrote a review for a great new product called Capture Pilot from the good people at Phase One. The product allows anyone with an iPad, iPhone or iPod Touch to view photos from a tethered photo shoot in real time. The product is truly awesome. Check out the article and see how I used it to photograph a bunch of young kids in an impromptu hotel studio.

Here’s the link to the review: http://www.nikonians.org/resources/reviews/capture-pilot

Click on the section “Pro Reviews” to read the article. If you only want to see the fun pictures, then click on the fourth page titled “Real World Testing.”

Photos from the Capture Pilot software review. Taken in a hotel room in Bend Oregon. Nikon D700, 24-70mm f2.8. Photoflex light stand, Photoflex 40" umbrella. Remote SB-700 flash.

Photos from the Capture Pilot software review. Taken in a hotel room in Bend Oregon. Nikon D700, 24-70mm f2.8. Photoflex light stand, Photoflex 40" umbrella. Remote SB-700 flash.





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