This week I’m shooting about 250 portraits for Harbor Covenant Church. I’ll share more of the results of the photo shoot in a future blog post, but in the meantime, I wanted to show how I set up the studio with this time-lapse video. My goal for the photo shoot is to produce a bright white background for each of the portraits. To do this, I used a white muslin backdrop and lit it with four slave flashes in umbrellas. These background flashes are set to produce about 1.0 to 1.5 stops more light than the Profoto D1 monolights I’m using for the people in the foreground.
I’m triggering everything optically, which is another way to say that all the flashes are set to fire when they see a flash pulse from the main camera. For the Profoto D1 monolights, I’ve set them to trigger using the IR mode. For the Nikon flashes, they are all set to trigger in SU-4 mode. On my Nikon D800 camera, I’m triggering everything with a Nikon SB-700 flash set to manual output so that when it fires, everything else fires. All slave flashes are set for manual output and I metered everything using my trusty old Sekonic L-358 (no longer sold).
Here’s all the gear I used to create the location studio.