Here’s the first of four new videos on using Nikon white balance. In this edition, I cover using Automatic white balance, while also discussing the fine tuning option for neutralizing color casts. Enjoy.
As many of you know, Nikon is eliminating their image editing program Nikon Capture NX2 and is replacing it with a new software package called Capture NX-D. They recently announced that they will cease supporting NX2 at some point during the summer of 2014.
If you are a NX2 user, then what how should you manage the photos you’ve created when support for the software ends? What software should you use moving forward?
Quoting from Jason’s website:
“In this episode of The Sensor Plane, I sat down with Mike Hagen, a professional photographer from Washington state, USA. Mike and I have both published books on Nikon’s Capture NX2, and were avid Capture NX2 users. We discussed the current state of Nikon NEF processing in light of the recent announcement that Nikon was dropping support for Capture NX2 and releasing a new product, Capture NX-D.
Mike and I discussed some options for current Capture NX2 users looking to move forward as Nikon transitions to the new Capture NX-D software.”
Have you been wondering what all the various shutter speed settings mean on a Nikon dSLR camera? Check out the video here for a explanation of x250, Bulb, Time and other shutter speed values.
Retro looking digital cameras are the new design aesthetic in the camera industry. Companies from Fuji to Nikon to Olympus to Leica have all taken a stab at this burgeoning market and each has had various levels of success. Some are doing it very well, like Fuji’s X-T1, while others are playing catch up. Nikon’s entry into this world is the new Nikon Df. Designed to look just like a film camera from the 1960s and 1970s, it attempts to strike the difficult balance between old-school feel and modern functionality. How did Nikon do? Read below for my thoughts and a video.
After shooting with the Nikon Df for a while, I realize that I’ve come to the exact same conclusions that everyone else in the industry has. Neat concept. Excellent image quality. Flawed design. That said, I still give the camera a thumbs up, but only for people that know what they are getting into and only for those who have an extra $3,000 to spend.
The Df is a camera made up from elements of other successful Nikon cameras. It takes the imaging sensor from the Nikon D4/D4s, the autofocus from the Nikon D600/D610/D7000 and the design cues from the Nikon FM/DE/FM-2. Nikon put all these parts into a high-tech blender and out came the Df.
Holding the camera in your hands is much like holding the older film cameras from the 1970s. The all-metal body feels substantial and the metal dials are refreshingly simple. Because many of the features of modern dSLR cameras have been omitted or have been moved to these outside dials, the menu system is significantly more limited than other Nikon cameras. I consider the simplified menu to be a good thing since menus have become bloated over the years and are difficult to navigate. If you are setting up your own Nikon Df, then be sure to download our Nikon Df Setup Guide.
The autofocus system has been the brunt of much criticism from other reviewers, but I haven’t found it to be as bad as they are saying. True, it isn’t as fast or accurate as the Nikon D4s or the D800, but it still works very well. It is the same AF system as you’d find in the D600, D610 or D7000. I used it to photograph an indoor soccer match a few days ago and was impressed with its ability to track action in the dimly-lit soccer arena. Using the autofocus outside on a sunny or cloudy day is no problem for the Df and it is my opinion that most people won’t have issues with the Df’s AF system.
Image quality is excellent as you would expect for a $3,000 camera. The CMOS sensor design is taken from the Nikon D4/D4s series, so it is one of the best in the business. At 16 megapixels, its strength is more towards low-light exposures than it is for high resolution details. I took quite a few landscapes and travel pictures with it and was pleasantly surprised with the overall image quality. I also created panoramas sequences and HDR merges from the files with great results. Dynamic range is very good so I was able to pull out quite a bit of detail from deep shadow regions by using Lightroom 5 and Nik Color Efex Pro software.
All of my Nikon lenses were compatible with the Df including my older manual lenses and my new autofocus and VR lenses. No issues there.
I found that using the Df in the real world helped me to slow down and think through my process a bit more. Because the camera isn’t as fluid to operate as the other Nikon dSLRs, you are required to be much more deliberate with your settings and camera operation. In general, I consider this a good thing, but if you are trying to move quickly (sports, racing, weddings), then the camera might get in your way.
Here’s a video describing the things I like and the things I don’t like about the Nikon Df.
Image Quality. Just like the Nikon D4 and D4s, the Df produces stunning images.
Low Light performance. Shooting regularly at ISO 3200, 6400 and 12,800 and shots look wonderful.
Live View. The Live View screen clarity is excellent. New grid overlays are very helpful. Artificial horizon is newly designed and well implemented.
Memory Buffer. I shot 23 RAW in a row before buffer filled up. Used a middle of the road 90 MB/sec SD card.
AF-ON. Dedicated AF-ON and AE-L/AF-L buttons just like the other professional cameras in the Nikon lineup.
Look. The camera is beautiful. People love to look at it and talk about it when I’m out shooting.
Ergonomics. Leave something to be desired. The partially molded hand grip is nice, but doesn’t come close to the fit and finish of cameras like the D7100, D610, D800 or D4s.
Dial controls. Even though you can set your shutter speed from the top dial, you can still override it with the front or rear command dial. This resulted in numerous mistakes from not being clear about what the shutter speed really was.
Exposure compensation. I’ve come to really rely on exposure compensation as implemented on all Nikon cameras since the N8008. Push the exposure comp button by your index finger, and rotate your command dial. Very easy to do with one hand. However, with the Df, you have to use your left hand to rotate the exposure compensation dial. Almost impossible to do without taking your eye away from the viewfinder.
SD Card. The camera only has one memory card slot. I don’t know why Nikon would do this to us photographers. Two SD slots makes good sense and is relatively standard for high end cameras these days.
So, the big question at the end of the day is whether or not the Nikon Df is worth the price? My answer is yes … for the most part. I say yes because the truth is that the Df is a nice camera. The person who should buy this camera is one who already owns a modern Nikon dSLR such as the D610, D800 or D4 and wants another camera with a little personality. If you don’t fit in that category, then I wouldn’t recommend this camera. There are other cameras such as the D610 or D800 or D4s that are better tools for photographers. If you are looking for one single camera to own, then the Df isn’t it. It needs to find a way to fit in with the rest of your kit as a tool to inspire your creative muse. A tool to help you slow down and enjoy the purity of photography.
One final note, I’ve added the Nikon Df to our Nikonians Academy workshops beginning in April 2014. Check them out here: www.nikoniansacademy.com.
Our new Nikon Df setup guide is complete and posted to the website. The guide offers tips on setting up the menus and functions for different shooting scenarios such as Nature, Landscape, Sports, Action, Portraits, Weddings and Point and Shoot.
There are two options:
1. Free PDF download
2. Laminated copy for $6.50 shipped.
Download or order Nikon Df Setup Guide here: Nikon Df Setup Guide
Most people don’t think about this, but wide angle lenses really do deserve a spot in your African safari camera bag.Nikonians.org just posted my new article in The Nikonian eZine issue 56 on using wide angle lenses on safari.
Long lenses like the Nikon 200-400mm f/4, 400mm f/2.8 or the 600mm f/4 always get the big billing, but I contend that it is just important to bring along a super-wide to round out your kit. In the article I suggest a number of ideas for using these lenses and offer specific recommendations for the Nikon 14-24mm or the Nikon 16-35mm.
Click through to the magazine to read more: The Nikonian eZine 56
Most of the shots in the article were taken during our two 2013 safaris. Our next trip to Tanzania is set for November 4-15, 2014.
Our Visual Adventures March 2014 newsletter is up and posted here:
This month’s topics include:
- Stuff I Like This Month
- January GOAL Assignment: Direct the Viewer’s Eyes
- February GOAL Assignment: Share Your Images
- Digital Tidbits: Filling In Missing Pixels From Panorama Stitches
- Book Review: Peter Krogh’s Organizing Your Photographs with Lightroom 5
- Book Review: Peter Krogh’s Multi-Catalog Workflow with Lightroom 5
- Workshop and Business Updates
What do the reset buttons do on your Nikon dSLR camera? Watch the video to find out.
Here at Visual Adventures, we’ve been producing weekly tip videos on photography related topics. Check out our two newest video tips on the wonders of gaffer tape and on Nikon lens VR settings.
As a professional photographer and a private pilot, I watch the laws very closely surrounding the usage of remote controlled aircraft for aerial photography. The big trend in the photo world right now is using quadcopters, hexacopters and octacopters as aerial platforms for shooting commercial video. Shooting photos or videos for your own private purposes from a drone are ok under the law, but shooting videos commercially is another story. The FAA (Federal Aviation Administration) just released a strongly worded memo on using drones for commercial purposes and they don’t mince words. Commercial use of unmanned aircraft requires special permits and to date, there has only been one permit granted. One!
Here’s a link to the memo:
Later in 2015, the FAA will issue a rule set to govern commercial use of small drones (under 55 pounds). Until then, if you are a professional photographer using drones commercially, you are exposing yourself to potential litigation from the US government. It might be wise to hold off on that commercial project for a few months until the rules are published.