Gig Harbor’s Painted Ladies

Posted March 4th, 2015 by   |  Photography, Travel  |  Permalink
Row houses

Row houses at Harbor Crossing. Nikon D750, 70-200mm f/2.8. Processed in Adobe Lightroom 5 and Nik Color Efex Pro 4.

A couple of days ago I was in Gig Harbor taking some photos for a new project I’m working on. While shooting in a local housing development, I came across a line of houses that reminded me of the famous row houses in San Francisco near Alamo Square. These famous Victorian houses were affectionately called The Painted Ladies because of their bright colors and beautiful architectural details. These San Francisco Painted Ladies are iconic and have been photographed millions of times by tourists and locals.

Houses and blue sky

High cirrus clouds, blue sky, and row houses make for a pretty composition. Nikon D750, Nikon 14-24mm f/2.8, Gitzo CF tripod. Image processed in Adobe Lightroom 5 and Nik Color Efex Pro 4.

When I saw the similar style of homes here in Gig Harbor, I couldn’t pass up the opportunity to create my own local version of the Painted Ladies. To get these photos, I shot with my Nikon D750 and the Nikon Triple Crown of lenses. These included the Nikon 14-24mm f/2.8, the Nikon 24-70mm f/2.8 and the Nikon 70-200mm f/2.8.

Back at my office, I imported the shots into Lightroom 5 and added just a little bit of clarity and vibrance. Then, I opened them up in Nik Color Efex Pro 4 to further pull out a little bit of detail and add a polarization effect for the clouds in the sky.

Here are a few links for those wanting to photograph the San Francisco Painted Ladies or the Gig Harbor Row Houses at Harbor Crossing housing development.

San Francisco Travel Guide to Painted Ladies

Inside a Painted Lady

Painted Lady Wikipedia

Gig Harbor’s Painted Ladies

Inside_Painted_Lady

SFO_Tourism_Painted_Ladies





Nikon D7200 and ME-W1 Announced

Posted March 2nd, 2015 by   |  Photography, Software, video  |  Permalink
Nikon D7200

Image courtesy Nikon Corp.

Nikon today announced the D7200 digital SLR camera along with a new microphone and a new software package. The D7200 comes along

There are a few improvements to the camera over the D7100.
- Larger buffer capacity that will hold 18 RAW shots (14-bit)
- Improved 51-point AF system with -3 EV sensitivity (center point works at f/8)
- Built-in Wi-Fi with NFC
- Faster Expeed 4 processor
- Better battery life
- Improved 24 MP sensor
- No OLPF (optical low pass filter)
- Broader native ISO range (100 – 25,600)
- 6 fps frame rate (7 fps in crop mode)
- 150,000 cycle-rated shutter
- Full 1080p 60 video recording

In my opinion, the single most important thing Nikon did with the D7200 is add increased buffer capacity. Honestly, the most frustrating thing on the D7100 (and D750 for that matter) is the limited buffer capacity when shooting sports or wildlife. Now, with a decent buffer size of 18 14-bit RAW photos and a professional-level autofocus system, photographers have a real tool they can use for action photography. The buffer is also projected to hold 27 12-bit RAW or 100 JPEG photographs.

One of the things that surprises me is that Nikon didn’t add an articulating screen like they did with the D750. I use this screen all the time on my D750 and have found it to be a fantastic tool to use in the field.

D7200 back

Image courtesy Nikon Corp

Over the last two years, I have recommended the D7100 to hundreds of photographers and now the D7200 will get my wholehearted recommendation. If you own a D7000 or a D90 and are looking to upgrade your camera, then buying the D7200 is a no-brainer. On the other hand, if you have a D7100 and mostly shoot landscapes/portraits then it doesn’t make sense to upgrade to the D7200. If you own a D7100 and need the extra buffer capacity for sports/action/wildlife, then the D7200 is a great camera for you.

Pricing for the D7200 will be $1,199,95 for the body only, and $1,699.95 with the 18-140mm f/3.5-5.6G ED VR kit lens.

D7200 top

Image courtesy Nikon Corp.

Nikon also introduced two other products that should garner some interest among shooters: Nikon View NX-i and the Nikon ME-W1 wireless lavalier microphone.

View NX-i is a new image browsing program that looks like it will replace View NX. Nikon says that it will allow users to browse RAW files that were adjusted by Capture NX-D while also allowing easy upload of images to social networks. More information here: http://nikon.com/news/2015/0302_soft_02.htm

NX-i

ME-W1

ME-W1 wireless microphone runs on AAA batteries. Image courtesy Nikon Corp.

ME-W1 in rain

The ME-W1 is designed to operate in all weather conditions. Image courtesy Nikon Corp.

The ME-W1 wireless microphone is a lavalier mic designed to be used in the outdoors under any weather conditions. Most professional wireless microphones aren’t designed to withstand the elements, so the ME-W1 will surely fill a gap in some videographer’s camera bags. Pricing for the ME-W1 will be $249.95.

Here are pre-purchase links for the products listed in this article

Nikon D7200 B&H Adorama
Nikon D7200 with 18-140mm f/3.5-5.6G ED VR B&H Adorama
Nikon ME-W1 B&H Adorama





Announcement: The Nikon Creative Lighting System, 3rd Edition

Posted February 24th, 2015 by   |  Flash Photography  |  Permalink

Cover Design 2312 U1 Hagen Nikon CLS 3 new

Great news. I’m now able to officially announce the release of the 3rd edition of our best-selling book, The Nikon Creative Lighting System, 3rd Edition: Using the SB-500, SB-600, SB-700, SB-800, SB-900, SB-910, and R1C1 Flashes.

There are lots of updates in this 3rd edition. Here are just a few:
- New chapter for the SB-500 flash
- Updated content
- Instructions for new Nikon camera bodies such as the D750, D4s, D810, D610, D7100, D5300, D3300, and more.
- Updated photographs, figures, and tables
- New how-to examples

The 3rd edition is slated to ship May 30th, 2015 and we are taking pre-orders on Amazon at this link:

The Nikon Creative Lighting System, 3rd Edition

NCLS_3rd_Edition_Amazon_tilt





Nikon D4s Dynamic Range

Posted February 20th, 2015 by   |  Photography, Software  |  Permalink
D4s dynamic range

Image after processing in Lightroom and Nik Color Efex Pro 4. Conclusion: The D4s has an excellent dynamic range and you can pull a tremendous amount of information from a RAW file.

I’ve been shooting with the Nikon D4s this week and wanted to see how its dynamic range holds up against the D800/D810. To do a quick test, I pointed the camera towards a high contrast scene that included dark forest, clearing fog and the bright sun.

D4s and lens

Nikon D4s with 24-70mm f/2.8

To process the image, I opened up the shadows and brought down the highlights in the Lightroom 5 develop module. Next I added a bit of clarity and vibrance to restore the contrast and color in the scene. My final step in Lightroom 5 was to fix the leaning trees using the Lens Correction panel. Finally, I sent the image out to Nik Color Efex Pro 4 to add a little bit of a polarization effect for the clouds.

Nikon D4s dynamic range

Here are my Lightroom slider settings for the file. The next step was to add a polarizing effect using Nik Color Efex Pro 4.

 

Overall, I’m very pleased with the D4s dynamic range. I was able to pull out a lot of detail from a single 14-bit NEF (RAW) file. However, as you can see above, the image isn’t perfect. There’s some CA (chromatic aberration) and some muddiness in the shadows. That said, considering the luminance values of the shadows were extremely low to begin with (i.e. 3% to 9%), I’m happy with the result.

DXO Mark rates the Nikon D4s dynamic range at 13.3 EV (DXO Mark D4s Test) compared to the D810 at 14.8 EV. 13.3 stops of dynamic range is still excellent and I wouldn’t be afraid to use the D4s for professional photographs in high contrast situations.

Here’s the before/after so you can see for yourself how much data is recoverable in a Nikon D4s RAW file.

Nikon D4s high contrast

Unprocessed Nikon D4s photo. Shot into the sun, just after the fog cleared.

D4s dynamic range

Image after processing in Lightroom and Nik Color Efex Pro 4. Conclusion: The D4s has an excellent dynamic range and you can pull a tremendous amount of information from a RAW file.

 

 





Nikon Lens and Camera Rebates are Back

Posted February 16th, 2015 by   |  Photography  |  Permalink
Nikon rebates

Nikon rebates are back for 2015, including all the current cameras and lots of excellent lenses.

Great news for those of you looking to buy some new camera gear this month. Nikon just announced their popular rebate program is back from now through February 28, 2015. Unlike previous rebate programs, this one includes lens-only rebates and lens + camera bundle rebates. Also, for the first time ever, the Nikon D4s is a part of the Nikon rebate program. While you’re clicking around on the shopping pages, be sure to check out the great prices on the D3300, D5500, D7100, D610, D750, D810, and Df cameras.

I included links to both Adorama and B&H Photo. Pay attention when you buy, as some of the products offer an additional 4% in awards and additional accessories, FREE!

Rebate Links
B&H Photo Camera-Lens Bundles

B&H Photo Lens Only Rebates

Adorama Nikon Rebates

Hurry, these expire 2/28/15.





Nikon D810A, Canon 5DS and Canon 5DS R

Posted February 10th, 2015 by   |  Photography, Uncategorized  |  Permalink
Canon and Nikon announced new cameras to their lineups with the Canon 5DS/5DS R and the Nikon D810A.

Canon and Nikon announced new cameras to their lineups with the Canon 5DS/5DS R and the Nikon D810A.

With the 2015 CP+ trade show just around the corner, both Canon and Nikon have been busy with new camera announcements. Read on for details and sample photos from both cameras.

Canon 5DS and 5DS R

5DS R

Canon 5DS R. Image Courtesy Canon USA, Inc.

Canon has the bigger news this month with an absolutely incredible new camera duo, the 50 megapixel Canon 5DS and 5DS R bodies. These two camera bodies are being targeted towards studio photographers, landscape photographers and fine art photographers because of their incredibly high resolution. The 5DS has a typical low-pass anti-aliasing filter found in most other dSLR cameras, while the 5DS R has a filter design that cancels the effect of the optical low-pass filter, resulting in even higher sharpness.

Up until this point, Nikon and Sony held the title of most pixels in a dSLR with the 36 MP Nikon D810 and Sony a7R. A few years back when Nikon came out with the D800, I was skeptical about the need for more pixels. Up until that point, I had been shooting with 12 MP and 18 MP cameras and felt they offered all that I needed from a resolution standpoint. However, once I began shooting with the D800, I was immediately enamored with the higher resolution and found the stunning clarity changed the way I thought about my photography. Having that many pixels meant that I could frame my composition a bit looser, which ended up giving me more options in post production for cropping or lens corrections. I use the super high resolution as another tool, just like I would use a tripod, lens, or flash.

This higher resolution is exactly why I’m excited about the Canon 5DS and 5DS R cameras. 50 megapixels will be a fantastic tool that we’ll be able to use in our kits to achieve great images. These new Canon cameras are slated to begin shipping in June 2015. Prices should be around $3,700 for the 5DS and $3,900 for the 5DS R. Here are links to more information:

Canon USA Information Page
Canon 5DS
Canon 5DS R

Pre-order at B&H Photo
Canon 5DS
Canon 5DS R

5DS R

Canon 5DS R top view. Image Courtesy Canon USA, Inc

 

Canon 5DS back view. Image Courtesy Canon USA, Inc.

Canon 5DS back view. Image Courtesy Canon USA, Inc.

Sample Images from 5DS

5dS Portrait

Image 1 [Portrait]
File Name: 01.jpg
Shooting Mode: Manual exposure
Tv (Shutter Speed): 1/125 sec
Av (Aperture Value): f/8.0
ISO Speed: ISO100
Lens: EF70-200mm F2.8L IS II USM
White Balance: Color temp.(5200K)
Picture Style: Fine Detail

http://canon-premium.webcdn.stream.ne.jp/www09/canon-premium/eosd/samples/eos5ds/downloads/01.jpg

5DS Tokyo Sky

Image 2 [The Tokyo sky]
File Name: 02.jpg
Shooting Mode: Manual exposure
Tv (Shutter Speed): 1/125 sec
Av (Aperture Value): f/4.0
ISO Speed: ISO800
Lens: EF24-70mm F4L IS USM
White Balance: Auto (Ambience priority)
Picture Style: Fine Detail

http://canon-premium.webcdn.stream.ne.jp/www09/canon-premium/eosd/samples/eos5ds/downloads/02.jpg

5DS_Bird

Image 4 [Wild bird]
File Name: 04.jpg
Shooting Mode: Aperture-priority AE
Tv (Shutter Speed): 1/100 sec
Av (Aperture Value): f/4.0
ISO Speed: ISO200
Lens: EF200-400mm f/4L IS USM Extender 1.4x
White Balance: Auto (Ambience priority)
Picture Style: Fine Detail

http://canon-premium.webcdn.stream.ne.jp/www09/canon-premium/eosd/samples/eos5ds/downloads/04.jpg

5DSr_Fantasy

Image 1 [Fantasy]
File Name: 01.jpg
Shooting Mode: Manual exposure
Tv (Shutter Speed): 1/15 sec
Av (Aperture Value): f/11.0
ISO Speed: ISO400
Lens: EF24-70mm F2.8L II USM
White Balance: Color temp.(5200K)
Picture Style: Fine Detail

http://canon-premium.webcdn.stream.ne.jp/www09/canon-premium/eosd/samples/eos5dsr/downloads/01.jpg

5DSR_Hippopotamus

Image 3 [Hippopotamus]
File Name: 03.jpg
Shooting Mode: Manual exposure
Tv (Shutter Speed): 1/3200 sec
Av (Aperture Value): f/4.0
ISO Speed: ISO400
Lens: EF500mm F4L IS II USM
White Balance: Auto (Ambience priority)
Picture Style: Fine Detail

http://canon-premium.webcdn.stream.ne.jp/www09/canon-premium/eosd/samples/eos5dsr/downloads/03.jpg

Nikon D810A

Nikon D810a. Image courtesy Nikon, Inc.

Nikon D810a. Image courtesy Nikon, Inc.

The Nikon D810A is the world’s first dSLR camera specifically designed for astro-photography. The camera retains it’s tremendous 36 MP sensor, but adds in a new IR filter set specifically designed to optimize sensitivity to H-alpha red tones. This new filter results in four times greater sensitivity to the 656 nm wavelength over a standard DSLR.

The camera introduces an electronic front curtain shutter which helps eliminate internal vibrations. The camera also has a new series of shutter speeds to help photographers optimize their long-exposure photographs. These new long exposure options are available in mode M and provide selectable shutter speeds from 4 seconds to 900 seconds (15 minutes). In other Nikon cameras, you would normally have to use bulb mode to expose for longer than 30 seconds, now these shutter speeds are built into the camera’s exposure system.

The new D810A also has a new live view mode that allows framing the composition in darkness. The mode is called virtual exposure preview and will be a great tool for actually seeing the stars and landscapes when ambient light is almost nonexistent. All other features of the camera remain virtually unchanged from the Nikon D810. Expext the D810A to be available beginning in May, 2015. Price should be around $3,800.

Here’s a link for more information: Nikon USA D810a

Purchase your own: Nikon D810a at B&H

Top view D810a

Nikon D810a top view. Image courtesy Nikon, Inc.

D810a right view

Nikon D810a. Image courtesy Nikon, Inc.

 

Sample Images from D810a

Comparison between the Nikon D810a and D810.

Comparison between the Nikon D810a and D810.

D810a sample

Nikon D810a astro photography sample.

D810a sample

Nikon D810a astro photography sample.

 

 

 

 





Think Tank Freebies – Photo Contest – Capture NX-D 1.1.0 Update

Posted February 5th, 2015 by   |  Photography, Software, Uncategorized  |  Permalink

I have three news items today for photographers. One is a promotion from Think Tank Photo for free swag when you buy one of their backpacks. Another is a contest where you can win a Nikon D750 with three professional lenses. The third is an update to Nikon Capture NX-D software.

Freebies from Think Tank Photo

Looking for a new camera bag? Think Tank Photo has a great new promotion for February. Whenever you order a Think Tank camera backpack you will have their choice of receiving of one of Think Tank’s popular AppHouse 8 or AppHouse 10 tablet cases for free. In addition, as with all of their orders from Think Tank of $50 or more, they will receive another free item. That’s two freebies for one purchase. Very cool.

Think Tank Bag Promotion

Airport Commuter Backpack_Nikon

New Photo Contest – I Am Generation Image

You can win a Nikon D750 and three lenses with Nikon’s new photo contest tited #IAmNextContest. Simply post your photos to Instagram or Twitter with the #IAmNextContest hashtag. Here’s a link to the contest page:
#IAmNextContest

Check out Nikon USA’s I Am Generation Image page here: I Am Generation Image

 

Nikon Capture NX-D 1.1.0 Released

Nikon_Capture_NX-D_Logo

Nikon recently released Capture NX-D version 1.1.0. In my mind, there are two significant items with this release:

1. Nikon now supports some of the edits you made in Nikon Capture NX 2. You’ll only be able to adjust items that were created in the Edit List of NX 2.

2. Nikon supports flare control with their new PF lens, the AF-S 300mm f4 PF.

There are a number of other modifications to the software and I’ve detailed those below. Here are the download links:

Nikon USA Download
Nikon EU Download
Nikon Global Download

Updates included with 1.1.0

Modifications that apply to both the Windows and Macintosh versions
Support for the D5500, COOLPIX S3700, S2900, L32 and L31 has been added.

When Capture NX-D is used to edit files that were once edited with Capture NX 2, additional adjustment of editing performed with Capture NX 2 is now possible.
However, only items in the Develop section of the Capture NX 2 Edit List can be adjusted with Capture NX-D. In addition, images that have been edited using Color Efex Pro may be edited after settings are reverted to their original values.

A PF Flare Control item has been added to the Camera and Lens Corrections palette.
This item can be used to reduce flare (ring flare, circular flare, etc.) caused by bright light sources in images captured with compatible lenses.

A Revert to Last Saved State option has been added to the Adjust menu.
This option resets adjustments applied with Capture NX-D.

A Launch Camera Control Pro 2 option has been added to the Tool menu.

The following issues have been resolved.

When images to which Distortion Control has been applied are opened, edges were fringed with color.

When Noise Reduction was applied, the application would quit unexpectedly.

When a RAW image captured with a camera that does not support the Picture Control system (D2XS, D2X、D2HS, D2H, D1X, D1H, D1, D200, D100, D90, D80, D70S, D70, D60, D40X, D40) was displayed, the icon indicating that the image had been edited was displayed, even if the image had not actually been edited.

When Quick Adjust was applied to RAW images captured at a Picture Control setting of Neutral, Flat, or Monochrome, and for which Recorded Value was selected in the Picture Control palette, the Quick Adjust value reverted back to “0.00″ when the images were again displayed in Capture NX-D after the application was once closed and then launched again.
A Noise Reduction setting of Better Quality 2013 could be selected for JPEG and TIFF images.

Additional modifications to the Windows version

The following issues have been resolved.

Multiple images in the My Pictures folder could not be selected to copy or move under Windows 7 or an earlier operating system.

When files were saved with different file names using the Convert Files function, the new file names were not accurately reflected.

Additional modifications to the Macintosh version

Support for OS X version 10.10.1 has neen added.

OS X version 10.7.5 is no longer supported.





January 2015 Visual Adventures Newsletter is Posted

Posted January 30th, 2015 by   |  Photography  |  Permalink

Our January 2015 Newsletter is posted here: http://visadventures.com/newsletters/2015-01-newsletter/

This month we have lots of great topics including a review of the Nikon D750 in Tanzania, a review of the Uplift adjustable height desk, a Lightroom tutorial and more.

In This Month’s Newsletter

- Stuff I Like This Month
- January GOAL Assignment: B-Roll and Secondary Subjects
- Field Report: Using the Nikon D750 In Africa
- Product Review: Uplift Desk
- Digital Tidbits: The Lightroom Solution for Cloudless Skies
- Workshop and Business Updates

Newsletter_Screen_Shot





Adobe Lightroom 6 Will Only Work on 64-bit Operating Systems

Posted January 22nd, 2015 by   |  Photography, Software  |  Permalink

Lightroom screen shot

Adobe announced today that the next version of Lightroom, Lightroom 6, will only operate on 64-bit operating systems. This means they are focusing more on performance and features rather than backwards compatibility with older computers or older operating systems. So, if you are currently using Windows Vista, Windows XP or anything prior to Mac OS X 10.8, then you’ll need to upgrade to a newer operating system such as Windows 7, 8, 8.1, 10 or at least Mac OS X 10.8 or above.

If you won’t be upgrading your operating system, then you’ll be able to use Adobe Lightroom 5 into the future.

Here’s the text from their blog post:

Update on OS Support for Next Version of Lightroom

We are hard at work on the next major release of Lightroom, and wanted to share some information on operating system requirements in order to give everyone time to prepare for the release.

In order to leverage the latest operating system features and technologies, Lightroom 6 will require Mac OS X 10.8 or above, or a 64 bit version of Windows 7, 8 or 8.1. Focusing our work on more modern operating systems and architectures allows us to spend more time adding functionality requested by users, including additional advanced imaging features and improving general application performance.

If you are on Mac OS X 10.7, or a 32 bit version of Windows, you will continue to be able to install and run Lightroom 5 and use Lightroom mobile. However, you will not be able to install Lightroom 6 until you upgrade to a supported operating system.

If you are currently running Mac OS X 10.7, Apple offers a free upgrade (here) to a more current operating system. For Windows users, Microsoft has a how-to reference (here) to help you determine whether you are running a 32 or 64 bit version of Windows.





Organizing Files for Lightroom Catalog

Posted January 20th, 2015 by   |  Photography, Software  |  Permalink

The most common questions I get from new Lightroom users are how to organize files on disk drives and how to prevent duplicate files in the Lightroom catalog. Over the last few weeks I’ve received quite a few questions about about how Lightroom works with folders. Here’s a series of questions and answers from one reader who wrote a couple of days ago:

Lightroom 5 box

Question 

Mike,

I have been struggling for days with Lightroom 5.7. I am new to LR in that I have had if for quite a while but just in the last two months have downloaded all my photos into a catalog. I have checked in depth online and Adobe forums to get my questions answered but no luck so far. So that brings me to you once again.

I think my question is pretty basic. I just don’t know how to fix the problem other than just dumping the catalog and starting again. LR shows I have 94K photos total in the catalog. However I have really much fewer. Despite having “do not import suspected duplicates” checked upon import, I find I have many, many duplicates (i.e. copy1, copy2), sometimes triplicates of files, the latter being all smart previews. I don’t understand how this happened unless I really didn’t have “do not import suspected duplicates” checked. But even then I don’t know how I would end up with so many, and why 3 smart previews?  And when there are two, the first says the “photo is missing” when I select it in the library and the second says “original and smart preview.” And then, some folders imported fine!

Under my folders panel I have my Mac HD with 94K and within that I have my Users with 44K and Volumes (ext HD) with the LR photo library with 49K. So it seems both were imported but I have no idea how I did that. So…here’s my question: is there any way to delete duplicates at this point? I know LR doesn’t have that capability and there is something called “Duplicate Finder” online that has pretty inconsistent and poor reviews.

Should I just delete everything and start over? And if so, can I avoid the same problem again? In other words, can you diagnose my problem? I haven’t done much work on my files with the exception of a recent trip with around 800 images and I’ve spent a lot of time with those adjustments and definitely would like to save those.

Answer 

Lightroom didn’t import duplicates. Rather, it found all the photos in all the sub folders that you pointed it to. The issue really comes down to making sure your photos are well organized on your hard drive, then letting Lightroom “see” those organized folders. If your photos are unorganized at the outset, then Lightroom will show you that chaos.

In general, I have people start their Lightroom catalogs with a single folder, then add to the catalog from there. For example, let’s say that you have a main folder on your disk drive called “Photos”. Then, under that, you have 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015. i.e.

Photos

2008
2009
2010
2011
2012
2013
2014
2015

Start by making sure that the 2015 folder is well organized. Something like this:

2015

150102_New_Years_pics
150110_Charlie_Birthday
150114_Wildlife_Reserve_Birds

Once 2015 looks pristine, then import that entire folder into your Lightroom catalog. Now, your catalog is starting off in good shape.

The next step is to go back to the 2014 folder and make sure everything is organized similar to the 2015 folder. Make sure you don’t have duplicate folders, duplicate “backup” subfolder folders or unnecessary images. Then, import the 2014 folder into Lightroom. The catalog now has all your 2014 and 2015 images and everything is organized.

Repeat this process by methodically going back through all your previous years’ folders. This will take a while, but you’ll be far better off in the long run because you’ll know where everything is located and Lightroom will be organized just like your main disk drive.

Followup Question

Thanks so much Mike. I had come to the conclusion that I needed to start over in smaller steps, as you describe. I have looked through some of my folders and can see where & why some of the duplicates came from, but not all. Regardless I shall start from scratch in smaller batches.

The only folder that I have done a lot of Lightroom editing work in was from a recent trip to Cuba and I really don’t want to lose those adjustments. Is there a way to transfer those adjustments from the backup catalog to the new? Or can I transfer those photos w their adjustments directly to the new catalog by dragging them into the new catalog?

Answer

Keeping your adjustments for the Cuba photos is easy.

1. Once you have your new catalog all set up, go back to the old catalog and select the Cuba folder(s).
2. Choose File … Export As Catalog.
3. Save the catalog somewhere on your computer (desktop?).
4. Close down the old catalog.
5. Open up new catalog (the one that you’re working on in smaller steps).
6. Choose File … Import From Another Catalog.
7. Find your Cuba catalog from the desktop and click OK or Import

—————

On a related note, I’m frequently asked what kind of disk drives I use for my data storage. At this point, I’m using OWC ThunderBay IV enclosures with Seagate 6TB Disk Drives. Here are the links:

B&H PHOTO PURCHASE LINKS

ThunderBay IV Enclosure

Seagate 6 TB Disk Drives

Also, be sure to check out our book on Digital Asset Management here:

Thousands of Images, Now What?

 





© 2015 Visual Adventures | Site Policies | Web by Works Development