When photographing any scene, make a point to always photograph it from as many angles as possible. Working the scene is important, because you’ll never know which photograph looks the best until you get back to your computer.
On last week’s trip through the southern coast of Iceland, my co-leader Tim Vollmer stopped our photo van to photograph this beautiful mountain reflected in the pool of water. Our group took a few reflection photographs at the pond, then started looking around for different photographs in the adjacent field. We found a small cluster bell flowers in the field and used it as a foreground element in our landscape image.
The flowers provided an entirely different look than the reflection and greatly added to the diversity of images we created. It’s a lot easier to spend 10 more minutes at the scene while you on location than it is to try to recreate a photo once you get back home.
To work a scene, consider these options:
- high perspective
- low perspective
Just for fun, here are a few BTS (behind the scenes) pics of our group in action.
Like many of you, I’ve been using Adobe Lightroom for years. Since I also teach and write about Lightroom, I’m always excited to learn new hidden features of the program that I’ve never used. In order to satisfy my desire to learn new things, I sat down last week to delve into Scott Kelby’s new Lightroom Book titled the Lightroom CC Book for Digital Photographers, published by New Riders – Voices That Matter.
This is the latest in Scott’s long-running series of Lightroom books that began with Lightroom 1 back in 2007. At 16 chapters and 559 pages, this book is hefty in its weight and its coverage of the topic. It isn’t the type of book you’ll sit down with for one evening. Rather, you’ll want to give yourself ample time to fully digest the plethora of tips, techniques, and methods that Kelby outlines in great detail.
Every topic in the book is laid out by an easy-to-follow system of steps. Step 1: do this. Step 2: do that. This approach to writing is very helpful for learning and puts all concepts into bite-sized chunks that are easily digestible. Each page is perfectly laid out with the main steps on one side of the page and the corresponding screen shots on the other side. This format makes it easy to read what you should be doing, while simultaneously seeing what you should be doing. This is a great way to learn Lightroom CC and follows the exact same approach I use when teaching the program.
Each chapter ends with a page or two of Kelby’s famous Lightroom Killer Tips. These are quick tips that highlight some of the features of Lightroom in a rapid-fire way that gets right to the point. Be sure to read all of the Killer Tips for hidden gems that you might otherwise miss.
One very nice touch is how the book is designed with the Lightroom module layout in the header. The purpose of the header is to show the reader what part of the program they are currently studying. This simple, but effective technique is extremely helpful to new users of the program who might otherwise be lost in the program. Scott’s design and layout team is very good and I give them major props for incorporating the module headers into the layout of the book.
No matter what level of Lightroom user you are, I guarantee you will learn something new in this book. However, I’d like to highlight a couple chapters of the book that I think will be especially useful for readers to fully understand the full capabilities of Lightroom CC/6.
As you know, everything is migrating to mobile technology and Lightroom is no different. Lightroom CC has a fairly robust integration with mobile that allows you to incorporate your smart phone or tablet with the desktop application. Kelby’s section on the new Lightroom mobile app is well written and he clearly illustrates how to successfully use Lightroom with your tablet or phone.
The chapter that I think will be most helpful for people is chapter 16 where Scott summarizes his workflow from start to finish. He uses a real-world example of a portrait session to show how to use the powerful features of Lightroom to maximize the efficiency of your photo session. This chapter is a nice way to end the book and synthesize everything Scott wrote about in the previous 15 chapters into one concisely written chapter.
The Adobe Lightroom CC Book for Digital Photographers is well written, easy to understand, and elegantly designed to help you learn Lightroom CC/6. This book rocks. Two thumbs up. Nice work Scott Kelby.
Chapter 1: Importing, Getting your photos into Lightroom
Chapter 2: Library, How to organize your photos
Chapter 3: Customizing, How to set things up your way
Chapter 4: Editing Essentials, How to develop your photos
Chapter 5: Local Adjustments, How to edit just part of your images
Chapter 6: Special Effects, Making stuff look … well… special
Chapter 7: Lightroom for Mobile, Using the mobile app
Chapter 8: Problem Photos, Fixing common problems
Chapter 9: Exporting Images, Saving JPEGs, TIFFs, and more
Chapter 10: Jumping to Photoshop, How and when to do it
Chapter 11: Book of Love, Creating photo books
Chapter 12: Slideshow, Creating presentations of your work
Chapter 13: The Big Print, Printing your photos
Chapter 14: The Layout, Creating cool layouts for web & print
Chapter 15: DSLR: The Movie, Working with video shot on your DLSR
Chapter 16: My Portrait Workflow, My step-by-step process from the shoot to the final print
Profoto asked me to review the new Profoto B2 off-camera flash system so I put the B2 AirTTL system through its paces shooting some outdoor portraits and photographing kids playing on a trampoline. For this test, I used the Profoto B2 250 AirTTL Location kit, Profoto OCF light shapers, a Nikon D750, the Nikon AF-S 14-24mm f/2.8, the Nikon 24-70mm f/2.8, and the Nikon AF-S 85mm f/1.8.
Here’s a video I put together for the Profoto B2 AirTTL OCF system.
I currently own a set of Profoto D1 Air studio strobes and think that Profoto makes some of the best studio lights on the market today. The B2 flashes take the Profoto technology and shrink it down into a small, battery-powered location kit that you can take just about anywhere. Like everything else in the Profoto lineup, the build quality of the B2 system is top-notch. Also, the quality of light is excellent when used with the OCF (off camera flash) light shapers.
The OCF system uses a battery pack to power the heads. This battery is small in comparison to other location power-pack systems and weighs just a few pounds. It is small enough that you can easily wear the pack with a shoulder strap while shooting events and outdoor action sports.
The heads are 250 watt-seconds each, so they pack about four times more power than a Nikon or Canon speedlight. They also recycle much faster than dedicated flashes, making it easier to photograph action with the B2 system.
The B2 battery pack is designed to hang from a light stand or over your shoulder with a longer strap. Power runs from the battery pack through cables to the B2 heads. These heads are small, lightweight and compact and mount to just about any light stand. The heads work with any of the Profoto OCF light shapers. They also work with the traditional speedrings from other Profoto systems like the D1, D2, etc.
Profoto sells a wide variety of OCF accessories including softboxes, octas, umbrellas, snoots, grids and extension cables so you can move the heads farther distances away from the battery pack. The OCF light shapers are lighter weight than Profoto’s studio light shapers. The OCF material is made out of a reflective silver-coated rip-stop nylon and is constructed very well. It is all designed to go out on the road and perform in any environment.
The AirTTL system allows full remote control of two B2 heads. It mounts on the camera’s hot shoe just like a dedicated flash. The difference is that it communicates with the B2 battery pack while allowing for full TTL control or full manual control of the flash heads. You can control the flash power from the battery pack itself or from the remote control.
The B2 system has built-in modeling lights. These are useful for studio work indoors, but the modeling lights aren’t quite bright enough to use outdoors. The modeling lights could also be used for video lighting in a pinch.
The B2 flashes are powerful enough to use outside on a sunny day. I used them with bright sun in the background and was able to shoot at f/8 and ISO 400 with a rapid recycle rate. Not bad for a small flash system.
Since the B2s are really lightweight, they can be mounted on a flash bracket attached to your camera. You’ll still use the supplied B2 battery with cable, but instead of mounting a typical Nikon dedicated flash like a SB-910, you’ll mount the B2 head to the bracket. Additionally, you can use any of the OCF light shapers while the B2 head is mounted on the flash bracket. The advantage of using the B2 this way is that you can shoot events while getting lots of power, fast recycle rates and lots of shots before the batteries run out.
The entire B2 location kit fits in a small bag about the size of a classic Domke F-2 shoulder camera bag. This means that you can take the B2 OCF system on location just about anywhere in the world and produce high-end results.
My hat is off to Profoto for innovating yet another killer product. The B2 AirTTL Off-camera Flash system definitely gets two thumbs up from me.
Buy your own B2 AirTTL OCF system here:
B&H Photo Video: Profoto B2 AirTTL Location Kit
Adorama: Profoto B2 AirTTL Location Kit
Sony announced a doozy of a camera today with the Sony a7R II. The specification list reads as if Sony is ready to kill off all the DSLRs from Nikon and Canon. The a7R II is impressive and I have to wonder how long it will take until Nikon and Canon respond with something new of their own to match this impressive feature set.
- 42 megapixels back-illuminated CMOS sensor
- Full frame
- ISO 50 – 102,400
- 5-axis in-camera image stabilization
- 399 phase detection AF points and 25 contrast points
- Tilting monitor
- 4k video
- Shutter speed 30s – 1/8000s
- Flash sync 1/250s
- 5fps frame rate
- Built-in Wi-Fi
The Sony a7R II will be available in August 2015 for approximately $3200. Sony will also release a total of 8 new FE full-frame lenses by early 2016.
Adorama pre-order link: Sony a7R II at Adorama
B&H pre-order link: Sony a7R at B&H Photo Video
Everyone loves a good rainbow shot. On the day of this photo, we were finishing up our epic Galapagos photo trip and getting ready to disembark our expedition yacht for the long flight back home. As we were packing our bags in the early morning, I poked my head out the window and saw a rainbow forming over the bay, just as the sun crested the eastern horizon. Always the photographer, I grabbed my camera and began shooting.
As our expedition yacht twisted around its mooring, different compositions came into play in the scene in front of us. First, the Ecuadorian Navy ammunition supply ship BAE Calicuchima steamed into perfect position at the base of the rainbow. I can only assume the sailors on board were looking for their own pot of gold. Then, some small fishing boats flitted through the scene on their way to shore to pick up bait. Finally, our own small pangas floated out from our expedition yacht into position in front of a double rainbow.
Like most things in photography, the scene quickly came and went. This rainbow stuck around for about ten minutes and changed in intensity as the sky went from a deep purple, to blue and then to pink. A few minutes later, at the peak of intensity, the rainbow formed into a double rainbow, then quickly disappeared along with the light mist.
Our April 2015 Newsletter is posted here: http://visadventures.com/newsletters/2015-04-newsletter/
In this month’s newsletter:
- New Books
- Stuff I Like This Month
- Studio Tips: Seven Things I Learned by Photographing 500 People
- Digital Tidbits: Don’t Forget These 3 Things in the Lightroom Develop Module
- Digital Tidbits: New Software Options in 2015
- Workshop and Business Updates
Check out our April 2015 newsletter for three big articles, new business updates, and tips related to new products in the photo market. One of the articles covers tools you should be using in Lightroom 5, 6 and CC. We also have an article comparing of all the new photo processing software available in 2015 including Apple Photos, Nikon Capture NXD, Nikon View NX-i, Affinity Photo, Lightroom CC. Our third article is dedicated to what I learned when photographing 500 people for a church directory. I give some great tips for setting up a studio on location, posing, and working with the public.
Read it here: April 2015 Newsletter
Drone photography is gaining in popularity every single day and camera manufacturers have taken notice. We are at the very beginning of the new drone era and imaging companies are producing more advanced photo and video products every day.
GoPro was the first to really promote the use of their cameras with drones. Their line of Hero cameras integrated very well with the DJI Phantom series of quadcopters . This integration brought about a revolution in the photo industry that allowed just about anybody with $1,000 to capture high quality HD aerial footage of their adventures.
Now, in the quest for 4k drone video and super-high resolution stills, new players are jumping into the ring with incredible cameras specifically designed for drone usage. Here’s a run down of some of the new high resolution drone cameras available on the market today.
GoPro continues to up their game and this year they released the new Hero4 Black edition that captures 4k video at 30 frames per second. The Hero4 comes with a live view system that integrates with wi-fi enabled devices such as tablets and phones. Price is $499.99.
B&H Link: GoPro Hero4 Black
Sony just announced a new series of 4k ActionCams called the FDR-X1000V to compete directly with the GoPro Hero 4. These use a live-view remote that you wear on your wrist for easy control of the camera from a distance. That’s cool. Price is $498.00.
B&H Link: Sony FDR-X1000V
Phase One just announced the iXU 180 drone camera with 80 MP CCD sensor. The price is $60k. Yes, $60,000 USD! These products are designed specifically for aerial imaging where you need the utmost in image quality for applications like surveying, scientific analysis, wind turbine inspections, crowd monitoring, and mapping.
Read more about the iXU 180 here: Phase One Industrial Imaging
Canon XC10 4K camera with a 1” sensor. This is a small form factor camera with a 24-240mm zoom lens. It has the ability to shoot 4k video, 12MP stills and grab 8MP JPGs during live recording. It is smaller than 5” in all dimensions and just under two pounds, so it could be mounted on medium to larger drones such as hexa-copters and octa-copters. Price is a very reasonable $2,499 with free shipping from Adorama and B&H.
Adorama Link: Canon XC10
B&H Link: Canon XC10
The Panasonic Lumix DMC-GH4 has been out for about a year and is commonly used in drone photography because of it’s light weight and 4k video capability. Add to that the fact that you can attach virtually any lens from any manufacturer with an adapter, and you have a powerful video platform. Price is $1,498.
B&H Link: Lumix DMC-GH4
During the 2015 NAB show (National Association of Broadcasters), Blackmagic announced its new Micro Cinema Camera. The Micro is designed specifically for drone cameras and POV shooting for extreme sports. This little wonder shoots Ultra HD files at 4k 30 fps or can be configured to at 1080p60. Price is set for $1,295.
Product info page: Blackmagic Micro Cinema Product Info
B&H Link: Blackmagic Micro Cinema Camera
DJI’s new Phantom 3 Professional drone comes equipped with a 4k camera on a full 3-axis gimbal. This system offers Lighbridge technology, which allows operators to see what the drone sees in real time, in HD, and from up to a mile away. Price is $1,259.
B&H Link: DJI Phantom 3 Professional
The newest issue of the Nikonian eZine just published one of my articles on photography in the Galapagos. Clink this link to download eZine issue 58.
The article covers:
Also, follow this link to the eZine archive to download free issues from previous editions of the Nikonian eZines. http://ezine.nikonians.org/archive.html
A brand new version of Snapseed for mobile image editing is live, now called Snapseed 2.0. I’m on the beta team and have been testing this new version for a few months. Version 2.0 is a significant update and best of all, it is free!
This program is a winner because of all the local and selective adjustments you are able to incorporate into image development. Also, you are able to work in stacks that allow you to go back and re-edit changes you’ve previously made. This is a solid mobile image-editing app and should be on everyone’s phone or tablet.
Here are a few Snapseed 2.0 links:
iOS: Snapseed 2.0 iOS Info and Download
Android: Snapseed 2.0 Android Info and Download
Product forum: User to user Snapseed forum
G+ page: Snapseed 2.0 Google+ Page
Here’s a cool video from Google showing how easy and quick it is to use Snapseed:
Announcing my newest book: The Nikon Autofocus System – Mastering focus for sharp images every time.
Publisher RockyNook and I are in production right now and targeting a November 2015 release date. We’ll have pre-order links ready in the next few weeks. More information coming very soon!
With today’s advanced camera technology, achieving focus on a photographic subject seems like it should be a straightforward task. But many photographers know that it can be deceptively difficult, especially when shooting moving subjects or in challenging situations. Now, there is a complete guide available for Nikon shooters that will help them get tack-sharp photos every time.
In The Nikon Autofocus System, photographer Mike Hagen, author of the bestselling The Nikon Creative Lighting System, takes his deep knowledge of Nikon technology and concentrates on its focus features. In this book, which covers all current Nikon DSLR models, Hagen fully explains how Nikon autofocus works, including detailed discussions of all the autofocus modules, drive systems, and camera buttons and menus. He also devotes an entire chapter to explore how focus works with Nikon’s lenses.
Armed with this general knowledge, Hagen then dives deep and offers camera setups, settings, and best practices for specific field techniques that address the photographic genres that are notoriously challenging for focus: action and sports (indoor and outdoor), wildlife (including birds in flight), and macro photography. He also covers genres such as portrait, landscape, underwater, low-light, and street photography. Hagen not only advises on the best ways to set up the camera and focus systems, he gives helpful tips and tricks throughout the book.
The Nikon Autofocus System also covers:
• Live view autofocus methods and settings
• Achieving great focus in video
• AF tracking
• AF shooting styles, such as back-button AF and shutter-release AF
• HDR, panoramas, and other techniques for shooting with a tripod
• An entire chapter on additional terms and techniques, such as hyperfocal distance, calibrating lenses, focus and flash photography, and more